Exposed to Western
influences as well as unparalleled economic development,
pre‐war Shanghai was the nursery of many modern
developments in Chinese culture. Lu Xun led the development
of modern Chinese literature during his time here and
literature by Shanghainese writers followed his lead.
The prints and graphic arts of the period are rightly
renowned as important cultural manifestos for new artistic
styles and fashions. Shanghai cinema likewise was an
important catalyst for China's cultural evolution.
All this ended with the war and the Communist government
has since kept a tight lid on cultural and other forms
of activity. Cultural experimentation that has happened
since has been more or less controlled. Well supported
ensembles, such as the Shanghai Ballet Company, the
Shanghai Broadcasting Symphony Orchestra, the Shanghai
Symphony Orchestra, the Shanghai Philharmonic Orchestra
and the Shanghai Municipal Performance Company, keep
Shanghai at the forefront of official culture. Common
prejudice has it that Beijing has the intellectuals
and artists, while Shanghai has the down‐to‐earth
wealth creators – but such easy categories fly in the
face of Shanghai's modern cultural importance. Shanghai
is also smart and sophisticated and that implies a
cultural gloss. |